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The long traverse

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    The magic walking-stick

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    An English schoolboy in possession of a magic stick which grants his every wish uses it to transport himself to adventure in far-off places

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    Pre-Raphaelite women : images of femininity

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    "...Pre-Raphaelite Women explores the lives, art and influence of the women associated with the Pre-Raphaelite circle. As models, wives, and lovers of these artists, women such as Elizabeth Siddal, Jane Morris, Fanny Cornforth, Annie Miller, and Maria Zambaco were at the very core of the movement. This unique volume juxtaposes the stories of these women with the paintings they inspired, revealing the discrepancies between the art and the Pre-Raphaelites and their reality. Art authority Jan Marsh explains in her text just how different the painters' idealized visions of these women were from their everyday lives. While portrayed as saints, angels, femme fatales, and courtly ladies, many of the Pre-Raphaelite women came from ordinary, even squalid, backgrounds."--from book jacket.

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    Zozo the magic queen

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    Image of a collage of images centered on a young man in an aristocratic historical costume with tights holding up a head-and-shoulders portrait of a young woman, and surrounded by a villain holding a knife, young scantily clad women in classical dress holding the strings for puppet caricatures of five men including a female impersonator, an older man, a man holding an American flag, and an Irish man; with a large bat, full moon, gothic sculptures, and waves hitting a rocky shore; the poster advertises the dramatic spectacle "Zozo, the Magic Queen."

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    New York Subway, 1960

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    "Natali spent nearly fourth months all but living in the subway, recording moments in the ordinary lives he observed. He made hundreds of images in that physically compressed environment, noting its equalizing effect on people of different social backgrounds and economic position. More significantly, the underground communion he experienced with these traveling souls opened a pathway to a broader world. Natali came to realize that photography was his vocation--his way of engaging with the world--and that America was his subject ... These twenty-two images from the four-month underground exploration of subway travelers in 1960 are both intimate and respectful, revealing yet gentle. Whatever the private reveries or personal thoughts of those he photographed, the public appearance of each of Natali's subjects is dignified. Each photograph has been chosen with great care, for Enrico Natali is neither spy nor voyeur, but a rapt and quiet observer of the moment"--From essay by Karen Sinsheimer.

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  • The Adlake camera

    The Adlake camera

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    Image of an advertisement for the Adlake camera featuring a young man and woman sitting across from each other with legs outstretched; the young man uses a camera to take a photo of the young woman and a cat; trees and sprawling dwellings in background.

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    The woods were never quiet

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    "Monique Wentzel is a compelling new voice in contemporary fiction and the recipient of a 2012-14 Wallace Stegner Fellowship at Stanford University. She takes as her subject the people and places of California, revealing a tender, sometimes dark vision of the relationships between them. Set in mostly rural areas in Northern California, along the California-Arizona border, and in the suburbs around the San Francisco Bay, Wentzel's narratives describe the beauty of this vast landscape as well as the singular, vivid ordinariness of the many lives unfolding within it...Although told in distinct voices and structured around closely-observed details that allow each story to stand on its own, a sense of something primal runs through the book, and Wentzel's unflinching prose gives deep cohesion to the whole. The moments gathered in these thoughtfully curated stories may be ephemeral, but the writing resonates and endures. San Francisco artist Jessica Dunne's subtle drawings explore and reflect on the stories' themes. More than illustrations, they offer a visual counterpoint to the varied facets of Wentzel's narratives." -- Publisher's page.

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